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更多“photographer 意思是（）”相关的问题
A. first
B. whole
C. all
D. best
The Daguerreotype was______.
A. a Frenchman
B. a photographer
C. a kind of camera
D. a kind of picture
The text states all of the following about photographs EXCEPT: _____.
A．They can display a cropped reality.
B．They can convey information.
C．They can depict the photographer's temperament.
D．They can change the viewer's sensibilities.
A. watch lots of films
B. buy an expensive camera
C. stop in most cities
D. take with him other machines apart from film
These conflicting ideals arise from uneasiness on the part of both photographers and viewers of photographs toward the aggressive component in "taking" a picture. Accordingly, the ideal of a photographer as observer is attracting because it implicitly denies that picture-taking is an aggressive act. The issue, of course, is not so clear-cut. What photographers do cannot be characterized as simply predatory or as simply, and essentially, benevolent. As a consequence, one ideal of picture-taking or the other is always being rediscovered and championed.
An important result of the coexistence of these two ideals is a recurrent ambivalence toward photography's means. Whatever are the claims that photography might make to be a form. of personal expression just like painting, its originality is closely linked to the power of a machine. The steady growth of these powers has made possible the extraordinary informativeness and imaginative formal beauty of many photographs, like Harold Edgerton's high-speed photographs of a bullet hitting its target or of the swirls and eddies of a tennis stroke. But as cameras become more sophisticated, more automated, some photographers are tempted to disarm themselves or to suggest that they are not really armed, preferring to submit themselves to the limit imposed by pre-modern camera technology because a cruder, less high-powered machine is thought to give more interesting or emotive results, to leave more room for creative accident. For example, it has been virtually a point of honor for many photographers, including Walker Evans and Cartier Bresson, to refuse to use modern equipment. These photographers have come to doubt the value of the camera as an instrument of "fast seeing". Cartier Bresson, in fact, claims that the modern camera may see too fast.
This ambivalence toward photographic means determines trends in taste. The cult of the future (of faster and faster seeing) alternates over time with the wish to return to a purer past when images had a handmade quality. This longing for some primitive state of the photographic enterprise is currently widespread and underlies the present-day enthusiasm for daguerreotypes and the work of forgotten nineteenth-century provincial photographers. Photographers and viewers of photographs, it seems, need periodically to resist their own knowingness.
Notes:
crop vt.播种，修剪(树木),收割。count for little 无关紧要。predatory 掠夺成性的。champion n.冠军; vt.支持。benevolent 好心肠的，行善的。ambivalence 矛盾心理。make (不定式)似乎要：He makes to begin. (他似乎要开始了)。swirls and eddies 漩涡。cult 狂热崇拜。daguerreotype 银板照相法。
The two directly opposite ideals of photography differ primarily in the _____.
A．emphasis that each places on the emotional impact of the finished product.
B．degree of technical knowledge that each requires of the photographer.
C．way in which each defines the role of the photographer.
D．extent of the power that each requires of the photographer's equipment.
People【26】up the editor when something interesting【27】. The editor sends a reporter and a photographer to find out【28】.
The reporter phones the newspaper to tell the story. A typist types it【29】. Next, the editor decides how much "space" to give the story. Important stories【30】most of a page. The stories are keyed (输入) into a computer and【31】print.
The first copies are called "proofs (校样) ". Another editor【32】mistakes. The stories are all【33】in the paper. Then the paper is printed.
The newspapers are【34】by lorry, plane or rail.【35】are taken all over the country. The【36】arrive early in the morning, and people buy them.
Not all newspapers【37】every day. Some are weekly with a Sunday edition. Local (地方的) newspapers【38】the news for different parts of the country.
Working on a daily paper is always busy. But people working on weekly papers do not have to work【39】such a hurry. Sometimes reporters【40】all over the world to report news.
(46)
A．printed
B．print
C．is printing
D．are printed
Journalists and TV people, we know, are () to record what goes on: but in trying to get the best () they can, they may sometimes seem amazingly cold-blooded. In the massacre that followed the British quitting India, () was a photographer who made a sorrowing Indian family bury and rebury () dead several times () he got a perfect shot. A BBC sound man held up a Nigerian execution for half an hour while he adjusted his sound equipment; you could say it didn 't () any difference to the final outcome, but it doesn 't make you feel especially warm towards the man () .
Should journalists and photographers join in, () just stand back and watch while people kill () another？ It 's a tricky question, not just a () of how brave anyone is feeling at the time, () without authentic pictures, how will the world know, how should the world believe () crimes are committed？ One dead photographer does not do much for the cause he cares about, even () he did feel forced to join in and take sides.
To stay out of the fight, to write () what 's going on, to treat () with both sides, as a doctor will cure soldiers in () uniform. or a lawyer argue for either side —that is supposed to be our code, and when it () to the crutch, we probably do better trying to stick () that, than rushing off on individual impulse. But is there not a point in any profession () you are forced back against the wall () a human being？ I think there is, and I was.
1、A) ready B) supposed C) responsible D) eager
2、A) record B) report C) essay D) article
3、A) here B) where C) there D) he
4、A) its B) the C) their D) that
5、A) when B) after C) before D) till
6、A) do B) become C) change D) make
7、A) concerning B) concerns C) concerned D) concern
8、A) but B) or C) and D) only
9、A) each B) every C) one D) all
10、A) fact B) case C) thing D) matter
11、A) but B) although C) for D) because
12、A) which B) what C) that D) such
13、A) if B) when C) then D) as
14、A) up B) away C) down D) in
15、A) equally B) evenly C) averagely D) similarly
16、A) neither B) both C) either D) all
17、A) speaks B) comes C) talks D) goes
18、A) to B) for C) on D) in
19、A) which B) where C) that D) what
20、A) as B) like C) unlike D) for
I【69】about it with my friends Frank and Lesley.【70】of them【71】suggest anything, but they promised that they would ask their friends. A few days later【72】I was still in bed,【73】telephoned. "Is that Miss Jenkins？" a man's voice asked. "I【74】your hobby is photography and I've got a job that might interest you in my clothes factory. My name is Mr. Thomson. "He seemed pleasant on the phone【75】I went to see him. I was so excited that I almost forgot【76】goodbye. "Good luck!" my mother said to me.
I arrived【77】early and when Mr. Thomson came he asked me if I【78】waiting a long time. "No, not long." I replied. After talking to me for about twenty minutes he【79】me a job-- not as a photographer though,【80】a model!
(36)
A．early
B．presently
C．soon
D．quickly
Ironically, (8)_____ photography is securely established as a fine art, many photographers find it pretentious or (9)_____ to label it as such. Serious photographers are no longer willing to (10)_____ whether photography is not involved with art, (11)_____ to proclaim that their own work is not involved with it. This shows the extent (12)_____ which they simply take for granted the concept of art imposed by the (13)_____ of Modernism: the better the art, the more subversive it is of the traditional aims of art.
Photographers' disclaimers of any interest in making art tell us more about the troubled status of the contemporary (14)_____ of art (15)_____ about whether photography is or is not art. Photography, (16)_____ Pop painting, reassures viewers that art is not hard; photography seems to be more about its subjects than about art.
Photography, (17)_____, has developed all the (18)_____ and self-consciousness of a classic Modernist art. Many professionals privately have begun to worry that the (19)_____ of photography as an activity subversive of the traditional pretensions of art has gone so far that the public will forget that photography is a distinctive and exalted activity— (20)_____, an art.
A．for
B．apart
C．as
D．beside
