In order to proceed we must agree ______ a plan of action.A.withB.onC.toD.in
In order to proceed we must agree ______ a plan of action.
A.with
B.on
C.to
D.in
In order to proceed we must agree ______ a plan of action.
A.with
B.on
C.to
D.in
This action, from the beginning to the end of a movement toward a purposed goal, must also have a middle; it must proceed through a number of steps, the succession of incidents which make up the plot. Because the dramatist is concerned with the meaning and logic of events rather than with their casual relationship in time, he will probably select his material and order it on a basis of the operation, in human affairs, of laws of cause and effect. It is in this causal relationship of incidents that the element of conflict, present in virtually all plays, appears. The central figure of the play—the protagonist—encounters difficulties; his purpose or purposes conflict with events or circumstances, with purposes of other characters in the play, or with cross-purposes which exist within his own thoughts and desires. These difficulties threaten the protagonist's accomplishment; in other words, they present complications, and his success or failure in dealing with these complications determines the outcome. Normally, complications build through the play in order of increasing difficulty; one complication may be added to another, or one may grow out of the solution of a preceding one. At some point in this chain of complication and solution, achieved or attempted, the protagonist performs an act or makes a decision which irrevocably commits him to a further course, points toward certain general consequences. This point is usually called the crisis; the complications and solutions which follow work out the logical steps from crisis to find resolution, or denouement.
According to the first paragraph of the text, a dramatist
A.seldom believes what he writes about.
B.portrays what he experiences in the drams.
C.concerns himself with the results of human effort.
D.tries to convince his audience of what he believes.
This action, from the beginning to the end of a movement toward a purposed goal, must also have a middle; it must proceed through a number of steps, the succession of incidents which make up the plot. Because the dramatist is concerned with the meaning and logic of events rather than with their casual relationship in time, he will probably select his material and order it on a basis of the operation, in human affairs, of laws of cause and effect. It is in this causal relationship of incidents that the element of conflict, present in virtually all plays, appears.
The central figure of the play—the protagonist—encounters difficulties; his purpose or purposes conflict with events or circumstances, with purposes of other characters in the play, or with cross-purposes which exist within his own thoughts and desires. These difficulties threaten the protagonist’s accomplishment; in other words, they present complications, and his success or failure in dealing with these complications determines the outcome. Normally, complications build through the play in order of increasing difficulty; one complication may be added to another, or one may grow out of the solution of a preceding one. At some point in this chain of complication and solution, achieved or attempted, the protagonist performs an act or makes a decision which irrevocably commits him to a further course, points toward certain general consequences. This point is usually called the crisis; the complications and solutions which follow work out the logical steps from crisis to final resolution, or denouement.
第26题:According to the first paragraph of the text, a dramatist________.
[A] seldom believes what he writes about
[B] portrays what he experiences in the drama
[C] concerns himself with the results of human effort
[D] tries to convince his audience of what he believes
It is argued that the type of production method which is employed depends on the development of an individual company. That is to say, many factories begin manufacturing on a job production basis and proceed, as the volume of production increases, to batch and flow production methods. This is not always the case, however, since the type of production is not necessarily determined by the product volume which is aimed at. In fact, in the car industry, tools are produced by jobbing methods, components are produced by batch methods, and the final products are assembled by flow methods.
Flow production is associated with flow layouts, whereas job and batch production are associated with process layouts. In a process layout, machines of a similar type are grouped together in the same section of the factory, and work in progress is moved from one part of the factory to another. In a flow layout scheme, the manufacturing equipment is arranged in the same sequence as the operations performed on the product. Each of these operations must be capable of processing work at the rate required for assembly of the final product, and the output for each operation must be balanced in order to provide a smooth flow of work.
There are advantages in both types of layout. In a process layout system there is more flexibility, and a greater specialization of machines and labor is possible, while in a flow layout system it is not necessary to maintain a high level of stocks or to demand great skill in the workforce.
The production method is not dependent on the size of a company because different products can be______
A.displayed at different locations
B.produced by different production methods
C.designed by different specialists
D.sold at different markets
A.succeed
B.proceed
C.concede
D.recede
A.proceed
B.procedure
C.procedures
D.proceeding
A.propose
B.precede
C.process
D.proceed
A.proceed
B.correct
C.succeed
D.reject
A.bypass
B.exceed
C.proceed
D.proclaim
A、succeed
B、overcome
C、exceed
D、proceed