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The writer of Text B thinks if we stay in our bubble, we miss out on so many opportuni
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更多“The writer of Text B thinks if…”相关的问题
From the text we can see that the writer seems______.
A) optimistic
B) sensitive
C) gloomy
D) scared
［A］inventive
［B］productive
［C］reflective
［D］inductive
From the text we can see that the writer seems ______.
A．optimistic.
B．gloomy.
C．disgraced.
D．proud.
From the text we can see that the writer seems ______.
A．detached.
B．realistic.
C．sensitive.
D．optimistic.
From the text we call infer that the writer is most likely to be a____
A．schoolboy
B．school teacher
C．schoolgirl
D．college student
A．sensitive.
B．gloomy.
C．optimistic.
D．scared.
A man who knows a bit about carpentry (木工术) will make his table more quickly than the man who does not. If the instructions are not very clear, or the shape of a piece is puzzling his experience helps him to conclude that it must fit there, or that its function must be that. In the same way, the reader's sense and experience helps him to predict what the writer is likely to ,say next; that he must be going to say this rather than that. A reader who can think along with the writer in this way will find the text.
This skill is so useful that you may wish to make your students aware of it so that they can use it to tackle difficult texts. It does seem to be the case that as we read we make hypotheses (假设) about what the writer intends to say; these are immediately modified by what he actually does say, and are replaced by new hypotheses about what will follow. We have all had the experience of believing we were understanding a text until suddenly brought to a halt by some word or phrase that would not fit into the pattern and forced us to reread and readjust our thoughts. Such occurrences lend support to the notion of reading as a constant making and remaking of hypotheses.
If you are interested in finding out how far this idea accords with (符合) practice, you may like to try out the text and questions. To do so, take a piece of card and use it to mask the text. Move it down the page, revealing only one
t a time. Answer the question before you go on to look at the next section. Check your prediction against what the text actually says, and use the new knowledge to improve your next prediction. You will need to look back to earlier parts of the text if you are to make accurate prediction, for you must keep in mind the general organization of the argument as well as the detail within each sentence. If you have tried this out, you have probably been interested to find how much you can predict, though naturally we should not expect to be right every time -- otherwise there would be no need for us to read.
Conscious use of this technique can be helpful when we are faced with a part of the text that we find difficult: if we can see the overall pattern of the text, and the way the argument is organized, we can make a reasoned guess at the next step. Having an idea of what something might mean can be a great help in interpreting it.
The author uses the examples of carpentry and reading to show______.
A．the importance of making prediction
B．the similarity in using one's senses
C．the necessity of making use of one's knowledge
D．the most effective method in doing anything
When Chekhov entered the Moscow University Medical School in 1879 , he started to publish hundreds of comic short stories to support his family. After he graduated, he wrote regularly for a local daily newspaper.
As a writer he was extremely fast, often producing a short story in an hour or less. Chekhov's medical and science experience can be seen through the indifference (冷漠) many of his characters show to tragic events. In 1892, he became a full-time writer and published some of his most memorable stories.
Chekhov often wrote about the sufferings of life in small town Russia. Tragic events control his characters who are filled with feelings of hopelessness and despair.
It is often said that nothing happens in Chekhov's stories and plays. He made up for this with his exciting technique for developing drama within his characters. Chekhov's work combined the calm attitude of a scientist and doctor with the sensitivity (敏感) of an artist.
Some of Chekhov's works were translated into Chinese as early as the 1940s. One of his famous stories, The Man in a Shell (《装在套子里的人》) , about a school teacher's extraordinarily orderly life, was selected as a text for Chinese senior students.
Anton Pavlovich Chekhov ______.
A．had a lawful lover
B．was an illegal writer
C．used to be a lawyer
D．was a competent doctor
Part A
Directions: Read the following four texts. Answer the questions below each text by choosing A, B, C or D. (40 points)
The author of some forty novels, a number of plays, volumes of verse, historical, critical and autobiographical works, an editor and translator, Jack Lindsay is clearly an extraordinarily prolific writer—a fact which can easily obscure his very real distinction in some of the areas into which he bas ventured. His co editorship of Vision in Sydney in the early 1920's, for example, is still felt to have introduced a significant period in Australian culture, while his study of Kickens written in 1950 is highly regarded. But of all his work it is probably the novel to which he has made his most significant contribution.
Since 1936 when, to use his own words in Fanfrolico and after, he "reached bedrock", Lindsay bas maintained a consistent Marxist viewpoint—and it is this viewpoint which if nothing else has guaranteed his novels a minor but certainly not negligible place in modern British literature. Feeling that "the historical novel is a form. that bas a limitless future as a fighting weapon and as a cultural instrument" (New Masses, January 1937), Lindsay first attempted to formulate his Marxist convictions in fiction mainly set in the past: particularly in his trilogy in English novels—1949 (dealing with the Digger and Leveller movements), Lost Birthright (the Wilkesite agitations), and Men of Forth-Eight (written in 1939, the Chartist and revolutionary uprisings in Europe). Basically these works set out, with most success in the first volume, to vivify the historical traditions behind English Socialism and attempted to demonstrate that it stood, in Lindsay's words, for the "true completion of the national destiny". Although the war years saw the virtual disintegration of the left-wing writing movement of the 1930s, Lindsay himself carried on: delving into contemporary affairs in We Shall Return and Beyond Terror, novels in which the epithets formerly reserved for the evil capitalists or Franco's soldiers have been transferred rather crudely to the German troops. After the war, Lindsay continued to write mainly about the present—trying with varying degrees of success to come to terms with the unradical political realities of post-war England. In the series of novels known collectively as The British Way, and beginning with Betrayed Spring in 1953, it seemed at first as if his solution was simply to resort to more and more obvious authorial manipulation and heavy-banded didacticism. Fortunately, however, from Revolt of the Sons, this process was reversed, as Lindsay began to show an increasing tendency to ignore party solutions, to fail indeed to give anything but the most elementary political consciousness to his characters, so that in his latest (and what appears to be his last) contemporary novel, Choice of Times, his hero, Colin, ends on a note of desperation: "Everything must be different, I can't live this way any longer. But how can I change it, how？" To his credit as an artist, Lindsay doesn't give him any explicit answer.
According to the text, the career of Jack Lindsay as a writer can be described as
A．inventive.
B．productive
C．reflective.
D．inductive.
Part A
Directions: Read the following four texts. Answer the questions below each text by choosing A, B, C or D. (40 points)
The title of the biography The American Civil War Fighting for the Lady could hardly be more provocative. Thomas Keneally, an Australian writer, is unapologetic. In labeling a hero of the American civil war a notorious scoundrel be switches the spotlight from the brave actions of Dan Sickles at the battle of Gettysburg to his earlier premeditated murder, of the lover of his young and pretty Italian-American wife, Teresa. It is not the murder itself that disgusts Mr. Keneally but Sickles's treatment of his wife afterwards, and how his behavior. mirrored the hypocritical misogyny of 19th-century America.
The murder victim, Philip Barton Key, Teresa Sickles's lover, came from a famous old southern family. He was the nephew of the then chief justice of the American Supreme Court and the son of the writer of the country's national anthem. Sickles, a Tammany Hall politician in New York turned Democratic congressman in Washington, shot Key dead in 1859 at a corner of Lafayette Square, within shouting distance of the White House. But the murder trial was melodramatic, even by the standards of the day. With the help of eight lawyers, Sickles was found not guilty after using the novel plea of "temporary insanity". The country at large was just as forgiving, viewing Key's murder as a gallant crime of passion. Within three years, Sickles was a general on the Unionist side in the American civil War and, as a new friend of Abraham and Mary Lincoln, a frequent sleepover guest at the White House.
Mrs Sickles was less fortunate. She was shunned by friends she had made as the wife of a rising politician. Her husband, a serial adulterer whose many mistresses included Queen Isabella Ⅱ of Spain and the madam of an industrialized New York whorehouse, refused to be seen in her company. Laura, the Sickles's daughter, was an innocent victim of her father's vindictiveness and eventually died of drink in the Bowery district of New York.
Sickles's bold actions at Gettysburg are, in their own way, just as controversial. Argument continues to rage among scholars, as to whether he helped the Union to victory or nearly caused its defeat when he moved his forces out of line to occupy what he thought was better ground. James Longstreet, the Confederate general who led the attack against the new position, was in no doubt about the brilliance of the move.
Mr. Keneally is better known as a novelist. Here he shows himself just as adept at biography, and achieves both his main aims. He restores the reputation of Teresa Sickles, "this beautiful, pleasant and intelligent girl", and breathes full and controversial life into a famous military engagement.
Keneally's biography is intended mainly to
A．launch a surprise attack on Democratic congressman.
B．show sympathy for an abused but reputed lady, Teresa.
C．curse bitterly at the hypocrisy of notorious heroes.
D．expose the true character of a general in civil war.
